I've been wanting to focus on velocity in thumb positions. The Popper piece from eons ago still needs thumb position revisions as comfort (and therefore, confidence) is still not a 100% in those higher registers.
Deryn suggests the following exercises to compensate:
Bunting pink book velocity exercises
Feuillard pg 24
Langin book 5
We looked at 3 octave scales that are separated in chunks per octave, playing each octave in various note lengths and learning the notes as they are played. The various note lengths may include double quavers, separated with rests in between sections. This changes the melody of a normal scale and makes it a little different and possibly, challenging.
We start at 66bpm and then faster to establish velocity, with both 2 & 3 octave universal fingerings.
Hopefully, we'll look at the Elegie next week.
One of the things I've been enjoying were baroque duets with my sister. This doesn't happen as often as I'd like due to different commitments and work but when it does, I try to record them so we could listen to the tracks. Deryn recommended 2 books, one only recently uncovered by musicologists in dusty library archives. They seem like advanced repertoires but we like a good challenge :}
Here's one from Tommaso Giordani's 6 Duos for 2 Violoncelli
Learning the cello as an adult started as a dare but has now turned into an ongoing love affair; I hope to one day make her sing to her full potential. In the meantime, all spare time and moments are dedicated to this wonderful instrument as I am unable to think about anything else, much to the dismay of my other half :}
This is an attempt to remember the classes I have taken so that I don't forget.